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The Movie Industry and 2021 Oscars

There’s no business but woke business

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You’re not going to watch the Oscars telecast on Sunday night, and I don’t blame you: Leftist Doctrine has infiltrated the movie industry to the degree that there is no business but woke business. Nonetheless, I’ve briefly reviewed the eight nominated films, and some others:

The United States vs Billie Holiday

This film is captivating. On par with Renée Zellweger in Judy, singer Andra Day in the title role, is quite convincing. Along with Carrie Mulligan, in Promising Young Woman, I think she shares the lead for the best female actor award.

As with four of the other nominated movies for the April 25 telecast, in arguably the worst line-up of nominated films in Oscar history, the upshot is the same: All white men are bad, all black people are exploited.

Trending on PolitiCrossing.com: Martha’s Vineyard Hypocrisy

Judas and the Black Messiah

Starring the British Daniel Kaluuya, and Lakeith Stanfield, both of whom who have excellent futures in the movies, Judas and the Black Messiah is a surprise despite the ultra-clunky title. I was expecting a heavy philosophical overlay of how the Black Panthers’ experience then, somehow translates to Black Lives Matter today.

Indeed, 300+ movie reviewers fervently want to connect the two experiences but they differ vastly: 50 to 55 years ago the FBI, Chicago Police, and other police departments were verifiably hostile to black people. Today, the FBI knowingly and blatantly shields Black Live Matters crimes, be it rioting, looting, mayhem, and even murder.

While a handful of regrettable “death by cop” cases arise each year, in general, police are not out to get black people, who are given more leeway and understanding than anyone from the 1960s could presume. And minority officers now represent 40% or more of many city police departments.

Of note: Martin Sheen hits a new low, not helped by the makeup director, playing an unconvincing J. Edgar Hoover.

The Trial of the Chicago Seven

Although it take liberties with the actual events, this is a reasonably good movie with many excellent supporting cast members, good pacing, and humor, and is worth viewing. Afterward, look up the fact and fiction within the film.

Minari

Set in the 1980s in rural Arkansas, Minari offers an endearing portrayal of what one generation does for the next, as viewed within a single family, in this case, Korean immigrants. This film is garnering rave reviews from every quarter. The ensemble cast performs well, led by Yuh-Jung Youn who adds spark and verve.

The Father

Starring Anthony Hopkins, Olivia Coleman, and Olivia Williams, The Father is a 93-minute movie that is 63 minutes too long. You could watch the first 15 minutes and the last 15 minutes and be no less informed.

We should all be thankful if our parents, or our future selves, do not suffer from the level of dementia portrayed here: He can’t recall what happened yesterday, sometimes an hour ago, and sometimes minutes ago.

The film shows reality from the father’s perspective, which is a constant jangle of dates, times, people, situations, and places; and the reality of those around him who have to deal with his constant ramblings, false assertions, obstinance, proud declarations, and outright inaccuracies. Save time, watch the trailer and read a long review.

Mank

Gary Oldman and Amanda Seyfried star in this biopic about Hollywood screenwriter Frank Mankiewicz. Strattling the 1930s and 40s, while penning Citizen Kane, ‘Mank’ has a fondness for alcohol and for saying whatever he thinks.

Charles Dance, as the preeminent but affable William Randolph Hearst is notable. This is an insider’s movie for the thankfully shrinking number of people who know or care about Hollywood.

Nomadland

Starring Frances McDormand, Nomadland offers a view of the American west and people who choose to no longer have permanent roots. The film presents one brief encounter after another, moving to the next scene, and the next.

It does impart the sense of loneliness and in some cases emptiness of the people who have chosen this lifestyle and so is somewhat engaging while watching it, but otherwise totally skippable.

McDormand has been nominated for an Oscar, however, this is not among her best. The film itself is regarded as profound by many reviewers, but then so was The Shape of Water and Roma (!)

Promising Young Woman

With Carey Mulligan, in an Oscar worthy turn, this movie represents a new step in her acting career. Without giving away any of the plot, it is both compelling and lingering.

Produced by Margot Robbie, who seems to have a knack for the zeitgiest, you really can’t forget this movie.

Sound of Metal

An inside and gripping portrayal of what it’s like to go deaf, as experienced by a drummer for a heavy metal band. Rapper and now actor, Riz Ahmed, in the lead role, offers moments of denial, rebellion, and poignancy.

 

Not nominated, fittingly, is this film:

Ma Rainey’s Black Bottom

This forgettable movie, nominated for several acting Oscars no less, is as revolting as its regrettable title, surprising for a film produced by Denzel Washington. The makeup and wardrobe to make Viola Davis look 40 pounds heavier and decades older is ridiculous.

The first 20 minutes of the film is nearly unwatchable, like a bad Eugene O’Neill play, all staged-dialogue, in one room. As the braggadocio horn player, the non-stop banter by the late Chaz Boseman, to whom the Academy of Motion Picture Arts and Sciences will posthumously award an Oscar, is simply irritating.

The use of blatant stereotypes – black and white – in this ‘woke era’ is mindboggling: Ma’s white manager is a milquetoast, the recording studio owner is exploitative, the Klansmen (only referred to in a soliloquy by Bozeman) vicious, Ma’s niece is promiscuous, the black band members are accommodating, etc.

 

Finally, here is one movie that is an under-seen gem:

The Courier

Starring Benedict Cumberbatch, this is a Cold War era spy movie, par excellence, a bit reminiscent of the German film, The Lives of Others. Overlooked by the ridiculously woke AMPAS, and probably way too subtle, The Courier is a great movie, easily among the best five pictures of the year, if not the best.

A friend said, “Loved The Courier. It deserves consideration especially with the unpatriotic events unfolding.” And I replied, “but woke Hollywood would object to the less-than-vocal wives and to no minorities in the film. So it had no chance to be nominated for an Oscar.”

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Jeff Davidson is the world's only holder of the title "The Work-Life Balance Expert®" as awarded by the U.S. Patent and Trademark Office. He is the premier thought leader on work-life balance, integration, and harmony. Jeff speaks to organizations that seek to enhance their overall productivity by improving the effectiveness of their people. He is the author of Breathing Space, Simpler Living, Dial it Down, and Everyday Project Management. Visit www.BreathingSpace.com for more information on Jeff's keynote speeches and seminars, including: Managing the Pace with Grace® * Achieving Work-Life Balance™ * Managing Information and Communication Overload®



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Family

Send Boatloads, Not Plane Loads, of Migrants to Eastern Seaboard Sanctuary Cities

Ultra-wealthy liberal communities don’t want to handle an ultra-thin fraction of border-crossing illegal immigrants

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The Über-Liberals of Martha’s Vineyard got a tiny, tiny taste of what Texas and Arizona endure every hour, of every day, with no end in sight. What a wonderful glimpse for all the world to see: how an ultra-wealthy, sparsely populated island, in a virtual sanctuary state, handled a thin fraction of border-crossing illegal immigrants, yearning to be free! They sent them away in less than a day.

All those yard signs, all that virtue-signaling, and it all added up to what? Gross hypocrisy. Then the blame game started. DeSantis and Abbott… they are simply evil men, using the poor as political pawns. How do we know? The liberal press is blasting out this message via bullhorns.

As any thinking person knows, the blame lies in Washington, DC thanks to the lax administration of Joe Biden, his lackey Kamala Harris, and the super-incompetent Secretary of the Department of Homeland Security, Alejandro Mayorkas.

Trending on PolitiCrossing.com: Martha’s Vineyard Hypocrisy

Making the Dollars Go Further

Apparently Governor DeSantis had to pay handsomely to fly the 50 “exploited souls” to Martha’s Vineyard. However, here is a solution for sending even more, at a far lower cost per person. Buy or rent one of the many cruise ship for sale from the cruise companies which have been hit hard over last 30 months and that now seek to reduce some of their inventory.

Personally, having cruised 39 times, and I can tell you that the these big ships can comfortably accommodate between 2500 passengers. The mega-ships can accommodate 4500. For a short trip up the Atlantic coast, doubling and tripling the number of family members in each room would sum to nearly 10,000 on one voyage. From Texas, navigating the Gulf of Mexico, or directly from Florida, heading up the Atlantic Ocean, a ship could reach Massachusetts within three days.

During the time of the voyage, the facilities on board are excellent. There are health clubs, saunas, steam rooms, a running track, and even a swimming pool or two. These guests of Joe Biden, transported by governors, would actually enjoy themselves on the way up, and then, by golly, be rewarded via the largesse that represents the good people of Massachusetts.

Fulfilling Sanctuary Dreams

Governor DeSantis, as well as Governor Abbott, employing cruise ships could then supply all the sanctuary cities along the Atlantic Seaboard with exactly what they’ve been begging for. After all these years, hey, why not make a wonderful delivery to Baltimore, and then Rehoboth Beach, Delaware where the Bidens frequent?

And how about 1,000s of migrants delivered to Atlantic City, New Jersey, and the Hamptons in Long Island? Don’t forget Bridgeport and New Haven, Connecticut before proceeding to Newport, Rhode Island, Nantucket, and Boston. For good measure make some deliveries to the resort towns in Maine.

What a marvel to behold, as these self-described caring destinations welcome thousands and thousands of migrants, all at once, and artfully absorb them. Sure, there will be some adjustments; such locales will have to spend big bucks for food, shelter, and clothing for these new arrivals… and then find them longer term homes and jobs. So what if local schools are not equipped with foreign language teachers and curricula so that the new children can get up to snuff? Isn’t that what sanctuary cities are all about?

Just Checking In

Let’s revisit all of these places one year later and see exactly how these welcome guests have feared. How about crime? Have they had run-ins with the law? What about the schools? How about public health? Let’s take a very accurate snapshot of what happens on the day they arrived, versus one year later, two years later, and three years later.

Having people dumped into your community, or your home for that matter, despite liberal virtue-signaling, represents a huge change in how you live, and how they live. It’s humanitarian to help a migrant in need. Thousands of migrants, or tens of thousands of them, all at the same time, dropped into a community is not a humanitarian gesture, it is an attack on your way of life.

As Henry Kissinger famously advised then German chancellor Angela Merkel, helping one person in dire need to come to Germany is a humanitarian gesture. Having great masses come to Germany threatens your culture.

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Elections

Interview with My Son Hunter Producer Phelim McAleer

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My Son Hunter

Phelim McAleer is one of the most courageous men alive today. He has produced many movies that depict true stories that the mainstream media tries to cover up, like Gosnell, the story of America’s most prolific serial killer, Abortionist Kermit Gosnell. His latest movie, My Son Hunter, is a viral sensation that tells the story of Hunter Biden’s laptop and the corruption of him leveraging his father’s office to do big deals with Ukrainian and Chinese oligarchs.  This is a powerful interview with a brave men, telling a story ripped from the conservative media headlines and bringing it to a man audience.

The late Andrew Breitbart said that politics is downstream from culture, and he was right. This movie is part of the Right’s effort to recapture the culture from the Left.

Trending on PolitiCrossing.com: Martha’s Vineyard Hypocrisy

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