

All three of the following movies are worthy in one respect or another:
The Good Nurse — with Jessica Chastain and Eddie Redmayne is one of the gems of the season. Both of them knock it out of the park in this medical drama about a male nurse who is fixated on subtly killing patients.
Empire of Light — starring Olivia Colman, Colin Firth, and a newcomer headed for stardom, Micheal Ward, recreates England in the early 1980s and is an unheralded, little seen movie that is tastefully done.
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Women Talking — offers an excellent ensemble cast headed by Rooney Mara and Claire Foy. This is a compelling movie even with its pale lighting, pale colors, and drab scenery. Because of dire circumstances, the women of a Mennonite community might vacate their village to start new lives, but the plot holes are enormous:
They all have been continually abused by village men for years, but only determined the culprits the day before the story takes place. All of the men are away from the village at the same time. The women cannot read or write yet have extensive vocabularies and outstanding command of the English. They’ve never been out of the village, have no money, have no knowledge of the outside world, and have never seen a map. On and on it goes. Regardless, this is still a good movie.
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Running for, or holding public office these days is no light task. It seems as if every square inch of philosophical and political turf is in constant turmoil. If you’re on the right you are hounded relentlessly by the lamestream media. If you’re on the left, the lamestream media will shield you for as long as it can, but eventually will let you swing in the wind. Still, holding public office can be a noble calling.
If you’re thinking of ever running for office, the affirmations below impact your subconscious mind and help to ensure that you follow the directions you give it, or at lease point you in the right direction.
* I choose to be a public servant.
* I choose to engage in public service I enjoy.
* I choose to volunteer on a regular basis.
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* I choose to spend my free time devoted to worthy causes.
* I choose to keep time available to honor requests for public service.
* I choose to recognize that the more I give, the more I get.
* I choose to speak for my constituents.
* I choose to champion the causes of people in need.
* I choose to participate in government at the local, state, or national level.
* I choose to be an innovative yet compassionate public servant.
* I choose to seek the highest office of which I am capable of rendering service.
* I choose to draw energy from my time devoted to public service.
* I choose to look forward to greater opportunities in public service.
* I choose to engage in work that helps others.
* I choose to engage in work that helps society.
By stating out loud or quietly to yourself each of these affirmations, you’ll be better able to serve your constituents and execute your handle tasks and responsibilities.
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Here are three movies, each having received at least one Oscar nomination:
All Quiet on the Western Front — here is a remake of the 1930s classic, and I was prepared to have this be the same old trench warfare, with all the accompanying platitudes. Instead, I was surprised. This was well done, with decent acting, and a few hand-to-hand combat sequences unlike anything I have previously seen, some truly touching. It is a German production, but all in English. Although it’s on the long side, I think it is worthwhile.
Everything Everywhere All at Once — starring Michelle Yeoh, and receiving 11 Oscar nominations is alternatively amusing, excessively noisy, clever, confusing, and lacking boundaries. It is without a raison d’être, as with other movies during this awards season, notably The Banshees of Isherin and Tár. Everything Everywhere is getting rave reviews, but I say “skip it.” As one reviewer put it, the plot seems to suggest “that what makes life meaningful is the recognition that because there is no inherent meaning, all things and moments are equally meaningful.” Oh, sure thing….
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Aftersun — a subtle but touching recollection of a 30-year old woman, when she was on a long vacation with her divorced father, 20 years earlier, before the new school year starts. Not much happens, yet we are drawn to this twosome, and the screenplay and the director skillfully lead us to an articulated but implied conclusion. Newcomer Paul Mescal, as the father, received an Oscar nomination and (Miss) Frankie Corio, as the 10-year old daughter, is equally good. Aftersun is not for the masses, but I found it to be worthwhile.
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